Blog

full list of medal-winning gardens unveiled

Exceptional plants and tub gardens are highlights of this year's award-winning designs. (Author: Gardener)

yearThings got a little wild at the RHS Chelsea Flower Show this year. The gardens will be judged based on the briefing submitted by the garden designers more than a year ago, as well as the quality of the construction, the plants and the overall atmosphere of the garden, and will be ranked from gold to bronze. Rewilding, climate and reconnecting with nature are the themes that shine through this year. These first Chelsea designers were awarded the prestigious gold medal for their gardens. Permission has been granted by Lulu Urquhart and Adam Hunt's A Rewilding Britain Landscape to garden more freely and enhance the beauty of the natural surroundings. The garden is a microcosm of nature, from the meadow to the stream, and uses only native plants. Mounds of Greater Grass Sedge (Carex paniculata) give way to meadow and wetland plantings, while willows grow at the water's edge. It's on Main Avenue at the show this week. Best in Show: Lulu Urquhart and Adam Hunt with their Rewilding Garden (Lucy Young) The Wilderness Foundation Garden by Charlie Hawkes in the All About Plants category captures the atmosphere of a Japanese woodland. A narrow path clad in charred wood zigzags past giant moss-covered boulders beneath a canopy of zelkova and maackia trees, encouraging contemplation of the unusual plants found on a forest floor. The garden is in the Great Pavilion. Jamie Butterworth's Place2Be Sanctuary Garden provides a space where children can feel safe and entertained. The sunken garden is surrounded by Cornus, Parrotia and Carpinus trees providing a tranquil and shady space where two hand-carved benches sit. The garden has a wild feel, with geranium phaeum and masses of white valerian. It is on the Royal Hospital Way. After the show, the garden will be moved to Viking Primary School in west London. There is no doubt that plants are at the heart of the fair's design this year, which sounds highly unusual for a flower show, but it wasn't always the case. Among the gold winners for Gardens Using Unusual Plants in Chelsea this year is Sarah Eberle's Medite Smart Ply, Building the Future Garden. As you enter the exhibition grounds, a striking cavernous structure topped by a twisting pine tree is surrounded by dense conifers and future-proof naturalistic planting combinations. It is located on Main Avenue. Designed as a section of a long, narrow London garden, Kate Gould's Out of the Shadows garden evolves from sun-loving Mediterranean plants to more shady jungle plants under a canopy of tree ferns and exercise perches. Gould has used every advantage to express what is and could be possible with plants like Alocasia zebrina and the Peruvian pepper tree Schinus molle. The hotel is on the Royal Hospital Way. Following the success of the Balcony Garden category in September, this year's Container Garden category recognizes that impressive gardens can be created in a small space. The silver-gilded Cirrus Garden, designed by Jason Williams, maximizes space by growing upwards, growing food and plants for pollinators, and using grasses to mitigate the effects of prevailing winds. The silver-gilt Cirrus Garden, designed by Jason Williams, maximizes space by allowing plants to grow upwards (George Hudson). The atmospheric space consists of reclaimed whiskey casks full of greenery and splashes of white, peach and purple set against a gray slate wall.

Read

best show garden revealed - plus all medal winners

From show gardens to the new All About Plants gardens, the RHS winners have been announced - here's who won the top honor of them all - Best in Show (Author: Gardener)

RHSIt was a surprise win for Lulu Urquhart and Adam Hunt, who scooped Best In Show for their unruly ode to landscape revival. After a few years of pandemic disruption, the RHS Chelsea Flower Show finally returned to its roots in the grounds of the Royal Hospital Chelsea in late May. This year, 25 different show and sanctuary gardens are vying for attention, along with a further 18 smaller gardens, each offering that distinctive invention and allure that regular visitors associate with the show. Designers have used their horticultural craft to explore all manner of societal issues, including mental health, connection to each other and nature, and climate change, to more escapist themes like travel and imagining what the future might be like. The Chelsea planting was also affected by events. Longtime visitors to Chelsea may notice just how subdued and informal this year's planting is - a few tones of crimson, plum and crimson brighten up the predominantly green background of native trees and shrubs such as hawthorn, sorbus and beech. The lack of floral fireworks reflects a real material shortage – the impact of the pandemic on commercial suppliers and the impact of Brexit on plant imports from Europe. Still, there's no denying that this year's Chelsea Flower Show is a feast for the eyes and a welcome return for garden lovers. Gardens are judged on plants (nomenclature, health, quality and vitality, absence of pests and diseases, amount of plant material and relevance), overall impression (impact, creativity, balance and size) and effort (difficulty of growing the plants and difficulty of the staging and originality). Without further ado, here are all the 2022 Chelsea Flower Show medalists. It was a left-wing poll for best show this year, with many Chelsea watchers predicting a win for Sarah Eberle's 'Building the Future' garden (more on that below) at the corner of Main Avenue. Instead we got A Rewilding Britain Landscape, a patch of natural beaver habitat with a babbling brook, an authentically unruly wilderness of wildflowers and the sound of beavers honking in the background. Designers Lulu Urquhart and Adam Hunt have brought visitors to Chelsea a glimpse of the importance of rewilding with this beautiful evocation of a natural landscape in South West England. All of the materials and plants in this garden are based around the River Otter in Devon, where beavers were successfully reintroduced in 2020. Look out for tooth marks in the tree trunks - chewed by real beavers! Observant Chelsea visitors can spot logs chewed by real beavers in the garden. The shed at the back of the garden doubles as a hideout for watching beavers. Sadly none of them made it to Chelsea with the garden, but its surroundings are rendered so stunningly that you'll think you've spotted one. In front of the shed is a stubborn meadow of wildflowers that doubles as a hideout. Mental health and connection were key trends at the Chelsea Flower Show this year, but Andy Sturgeon's Garden of Crocuses puts it front and center with a conversation-based design. In the center is a raised circular seating area with lawn planting and birch trees providing the opportunity to sit side by side and chat. As you follow the path from this area, the garden opens up before you, reflecting the sense of liberation of sharing your experiences. Known from wallpaper and fabrics, its famous trellis has been transformed into criss-crossing paths that make up the garden's layout, while Willow Boughs is reflected in the gazebo and water channels. Willmott also used favorite plants from Morris' designs, including willow and hawthorn, to add color to the garden and provide food and habitat for birds. Those expecting a floral lifeboat might be surprised by this Chris Beardshaw-designed garden, which eschews the literal and instead takes cues from the RNLI's Georgian origins, including an oak pavilion facade and arcade. Mature trees, including elms and pines, were chosen for their connection to traditional boat building. The outstanding feature of this garden, designed around the theme of landscapes and buildings for the future, is the 6m high waterfall and the central structure in a new sustainable material, Medite Smartply. Designer Sarah Eberle evokes the edge of a forest, mixing ancient and rare plants with modern materials to consider the idea of ​​carrying what we know today into the future. The key feature of designer Joe Perkins' mushroom-inspired garden is a huge pavilion set in a meadow of nearly 3,000 plants native to Britain, inspired by the interaction between the mycorrhizal network and tree roots. Designer Juliet Sargeant has adopted the color palette of bright blue and orange from Blue Peter's branding, while an underground rhizotron chamber will be a hub for younger visitors to learn more about Earth. Art projects by children and people from Salford are on display and visitors can hear the sound of a compost heap. Designed by Howard and Hugh Miller as a stylized reminder of orchards, meadows and flowering hedges explored in childhood, with an apple blossom-inspired color scheme of white, cream and blushing pink. The centerpiece of this garden is the precast concrete “picnic blanket” through which grow edible herbs that emit their scent as you sit or move. Tayshan Hayden-Smith and Danny Clark have designed a garden around the symbol of the mangrove tree, which they see as a symbol of coexistence, diversity and resilience. Crushed concrete walkways are meant to represent the harsh challenges of racism, while the mangrove sculpture creates a canopy for communities to gather under. Cityscapes' St Mungo's Putting Down Roots Garden (Darryl Moore and Adolfo Harrison) A pocket garden designed by Cityscapes' Darryl Moore and Adolfo Harrison; a company whose job it is to bring green into urban spaces. The garden revolves around the idea of ​​bringing people and plants together. Large planters filled with textured foliage and floral accents create a sense of calm, while a gazebo with a bench made of large hoops offers a place to relax and escape the stresses of city life. This garden evokes the regeneration of an inner city brownfield site that has been repurposed into contemporary living space, therefore all plants have been selected to be hardy and able to cope with ferrous soil and climate change. Designer Paul Hervey-Brookes has ensured that all materials, from aggregate to brick, are recycled or recovered. There's even room for a vegetable garden and a pool to collect excess rainfall. Every gardener loves their garden, and this year Perennial designer Richard Miers celebrates that love with a garden designed solely for gardeners' enjoyment, with a calming stream, comfortable seats, rich sculptures and a gentle tree canopy that reflects the Visitors are enveloped and reassured with a sense of security and comfort. The standout feature of designer John Everiss's garden for the RAF Benevolent Fund is the huge statue of a young pilot gazing at the sky. Visitors are invited to imagine the dogfight he witnesses as they walk around the stone spiral wall that protects the sculpture, just as blast walls would have done in the past. Visitors to Kate Gould's Garden will feel like they've stepped into a spa, as they're surrounded by monkey bars, a meditation room, and even a swim spa — all surrounded by tropical plants to make you feel like you're on a luxury vacation abroad and finally relax. Aimed at children, this sanctuary will land at Viking Primary School in West London after the show, aiming to give young people a space to open up and discuss their mental health. Designer Jamie Butterworth, whose mother is a teacher and father is a psychiatric nurse, worked with children and teachers at the school to design the garden. Trees and stone mingle to give children a place to sit and talk, while planting in blue, yellow and burgundy adds a colorful splash of happiness. As we have all been working from home in recent years, many have started to see their garden as a place for both work and play, as well as a beautiful environment. In this garden, designer Tony Wood has created a canopy of pine and birch to immerse visitors in nature, with a carbon neutral shed in the center that will dwarf most of the visitors' offices at home. Designer Thomas Hoblin has created a symbolic version of this journey in this garden, featuring plants from around the world and a meandering water feature flowing through the middle to symbolize the journey. Most gardeners would argue that a freezing cold bodes ill for plants, but designer John Warland has brought it to the center of his garden by encasing plants in a thick, 15-ton ice cube that slowly melts. The conceptual garden is conceived as a chilling reminder of the melting ice caps in the Arctic that threaten to doom the environment. As the ice melts, the trees in the center will droop, forming a slowly opening botanical scene symbolizing the potentially lost seed bank buried beneath the permafrost. Designer Taina Suonio created a centerpiece for this forest sanctuary that looks like a scene from a fairy tale: a giant oak tree stump for you to sit in. There's even a water feature in the tree stump for added relaxation. Kingston Maurward The Space Between Garden Designed by Michelle Brown Described as 'where the French Riviera meets the Jurassic Coast', designer Michelle Brown's beautiful garden is a dream vacation in one place. Look for clearings to settle into this serene garden and secret jungle of deciduous plants. An elevated path through the space makes visitors feel like an explorer as they search for the social platform den and day bed to rest and relax. Designed by Amanda Waring and Catfoot Garden Design, this garden was conceived as a secluded area within a larger room at Norton House, housing the families of service personnel treated at the Defense Medical Rehabilitation Centre. There is an infinity water feature and plants swaying in the breeze, all designed to create a relaxing atmosphere. The planting in dark blue with bronze foliage, light blue with gray foliage, green and white represents the Navy, Air Force and Army respectively. Freedom is the feeling designer Frederic Whyte hopes to evoke with his garden, which is sponsored by a charity that teaches prisoners needlework to boost their self-esteem and encourage them to lead a crime-free life once released. A "cell" allows a view of the garden, a willow-clad steel construction with the garden behind it conveys the feeling of a prisoner yearning for freedom, fountains symbolize creativity spurts. This imaginative design by Lilly Gomm travels to a personal haven in Switzerland in an urban setting. Large stones evoke the rugged Alpine peaks, a water feature on Swiss lake shores and an iron bench on the train tracks, all symbolizing sustainable travel within the country. A combination of alpine and Mediterranean plants symbolizes Switzerland's central location in Europe and apple trees stand alongside pine trees, similar to real Swiss forests. At the center of Yoshihiro Tamura's Japanese garden is a wooden water wheel, symbolizing the circular nature of life. Older trees provide shade for younger plants, and decaying branches remind visitors that all things come to an end. There's even a telegraph pole, a reminder of the value of information to human life, while a fluffy sheepskin bench evokes clouds; the top of the water cycle; and offers space for quiet reflection. Visitors won't see it from ground level, but from above, the pathways and pergola walls represent Zen understandings of the cycle of life, human nature, and spirit. What was your favorite garden at the 2022 Chelsea Flower Show?

Read

12 lessons from the Chelsea Flower Show that will transform your garden

From creating the perfect multipurpose space to the do's and don'ts of borders, there was a lot to explore at the annual spring show (Author: Gardener)

the Chelsea Flower ShowEven the royals, including the Earl and Countess of Wessex, looked to this year's show for garden inspiration. As always, the 2022 edition of the Chelsea Flower Show is a busy hive of ingenuity and invention, and visiting gardeners will find plenty of inspiration amongst the flowers and trees. According to designer Andy Smith-Williams, who created a beautiful vision of a connected community garden for Front Garden Revolution, we should give as much attention to the space in front of our homes as we do to our back gardens. “Our front gardens face outwards and can be used by the whole community,” he says. He encourages ripping up (and repurposing) pavement to allow for more plants—with trees, native hedges, grasses, ferns, and wildflowers—as well as show-stopping flowers like irises and gladioli. Edible plants were a big trend at Chelsea this year. In the Alder Hey Urban Foraging Station, a concrete “ceiling” planted with wild garlic, mint and chamomile nestles against a backdrop of hawthorn and crab apple trees. Hugh Miller says the garden was designed with her grandfather in mind: "The smell of tomatoes immediately reminds me of being a kid in his garden." Similarly, Ann Treneman's Wild Kitchen Garden features edible plants, ranging from daisies and fennel to columbines, elderflower and dogrose, while Lottie Delamain, who created a garden for Fashion Revolution, demonstrates how the same plant species can be used as dyes in clothing. Designer Richard Miers makes a bid for the return of formal boundaries, with several laced up in his formal design, The Perennial Garden With Love. "I think for gardeners who love flowers, borders are a joy," he says. "They're actually lower maintenance than this totally wild look, too." He points to hardy plants in his scheme, including pruned Portuguese laurel along with fennel, violets and foxgloves. "Repeating flowers helps your eye move and unifies the entire border," he says. Various lockdowns have reminded us that gardens can become additional living space for various leisure activities. Kate Gould's Garden features a swimming pool (elevated and cleverly hidden under a pergola), exercise bars and a yoga pavilion. “My clients are asking for ways to incorporate all of these things—as well as amazing plants—into their gardens,” says Gould. She uses lush, sculptural palm trees, bamboo and ferns to create a tropical theme. "I want to show people that if they want, for example, a swim spa or a place to do yoga, they don't have to choose between this and a beautiful garden," she says. Many of the show gardens used structures to great effect, such as designer Michelle Brown, whose giant pergolas and arches "create spaces in the garden". Brown positioned a white wisteria to climb up a central arch to create a floral entrance to her garden. "As the flowers die, the leaves lengthen and create a curtain," she says. Manicured gardens can often miss opportunities to support native wildlife, but Adam Hunt of Urquhart and Hunt, who designed A Rewilding Britain landscaped garden for beavers, believes we can use them as "a habitat creation opportunity". He suggests adding a water feature to attract birdlife, piles of wood to encourage beetles, and plants that encourage different types of insects, from valerian to viola, from nettle to honeysuckle. Adds Jennifer Hirsh, botanist and designer of The Body Shop's Re:generation garden, "Choose plants that span the seasons to ensure early and late wildlife and microfauna have a choice." Water features are back - but in a more subtle way than before. "Today people appreciate beautiful, quieter designs that don't waste too much water or electricity," says sculptor David Harber, whose star clients include Jeremy Irons and Judi Dench. "When you add water to a garden, it immediately creates a calming, contemplative atmosphere." Stepping into designer Jamie Butterworth's Place2Be, with its soothing greens, whites and purples, feels like stepping into a private retreat. "Stepping into a sunken space in a place of intimacy surrounded by tall plants including trees gives you a very calming feeling," says Butterworth. While uncovering patches of soil like Juliet Sargeant did isn't for everyone, "the most important takeaway message is composting," she says. "It's also very important that we let the soil breathe because it's alive, so we should use permeable pavers wherever possible," adds Sargeant. Smith-Williams agrees: He encourages the use of "crack fillers" to green paths, including Raoulia australis, leptinella and thyme. More and more of us are likely to live in houses without a garden: recent research by ONS found that one in eight people in the UK lacks access to a patch of greenery of their own. But Jason Williams, who is recreating his 18th-floor balcony in Manchester for his Chelsea debut, packed with flowers and arches, a herb tower and even his fishpond, is determined to show what's possible. "I have marigolds, petunias, and even dandelions because that's what urban gardeners on a budget have at their disposal," he says. Nearby, The Potting Balcony demonstrates how to use a balcony as a functional space for gardening, with a flower table and mini greenhouse. One of the contenders for Sustainable Product of the Year, Ocean Plastic Pots makes fun colored pots (that look more like ceramic) that liven up a small space, while Plant Box can help you create a living wall thanks to stackable planters that sit to create on a 1.8 liter water reservoir. Hang them from the ceiling, according to Antonia Adams of Planted House, a botanical shop in Penzance. "Hanging them from the ceiling gives you a sense of space, and that often goes better with the plants, many of which are epiphytes." Adams uses rattan cane, which twists naturally, as a plant support and advises using a bucket when watering to put underneath – then “give them a good drench”. Container planting is bigger and better than ever - even in a small space. Smith Williams uses giant planters to collect rainwater and packs them with moisture-loving plants. Hayley Green of The Plant School recommends choosing evergreens to add structure in winter and underplantings to create room for growth. "Make sure you choose the spot carefully before you fill it in with soil and plants," she says. For a full summary of this year's 13 show gardens, see Tim Richardson's article. What garden inspiration did you spot at Chelsea or other flower fairs this year?

Read

Former Made in Chelsea star art dealer sentenced to seven years in prison

"Serial scammer" Inigo Philbrick, an American national who previously lived in London, has been jailed in the US for seven years after admitting to cheating several former clients out of £80million. (Author: Gardener)

seven yearsThe convicted art dealer swindler, who was formerly Made in Chelsea star Victoria Baker-Harber, has been sentenced to seven years in prison in the US for cheating several former customers out of £80million in a "Ponzi-like scheme". "Serial swindler" Inigo Philbrick, an American citizen dubbed "the mini-Madoff of the art world" who previously lived in London, pleaded guilty to federal network fraud and told a judge he did it all "for the money." Philbrick, 34, ran a "Ponzi-like scheme" in which he used money from some clients to buy artworks, paying others and funding a lavish lifestyle in which he posed as an art business conferencing expert, they said the federal prosecutors. When exposed in November 2019, he failed to show up for court hearings in London and Miami, cities where he owns art galleries, and was eventually arrested by the FBI on the Pacific island of Vanuatu. In Manhattan federal court, Philbrick was sentenced to seven years in prison and also ordered to forfeit £80 million. Philbrick's then-partner gave birth to daughter Gaia in November last year, and the Made in Chelsea star posted pictures of her first birthday to Instagram in November last year. The rise and fall of "serial scammer" Inigo Philbrick Philbrick (pictured) has admitted to cheating investors out of millions of pounds and told a judge he did anything "for the money". Born in East London where his artistic parents lived in an abandoned warehouse, Inigo grew up in Manhattan and Connecticut and in 2005 followed in his father's footsteps by studying art curation at Goldsmiths University of London. Gallery founder Jay Jopling - later one of Inigo's victims - was impressed by the bright, cultured young man. In 2013, with Jopling's financial backing, Inigo opened his own gallery and consultancy in London's Mayfair, specializing in post-war and contemporary art. The second Inigo Philbrick gallery opened in Miami in 2018. While some clients were wealthy collectors who wanted art on the walls of their homes, he increasingly focused on those known in the art world as "speculators," who buy artworks, or a percentage of them, as an investment. Inigo would then help those investors resell the artworks at a higher price and take a cut of the profits. As is customary in this industry, the artworks themselves stayed in secure storage facilities — meaning customers were completely in the dark when Inigo began selling works to multiple parties or selling stakes in paintings that investors never really got to face got. Until his criminal life was unraveled in 2019, Inigo was the toast of the art world, a charming bon vivant who sliced ​​through London – and New York – society with Victoria on his arm in private jets around the world, spending his summers in Ibiza. Inigo wore suits worth £5,000, handmade shoes, a belt with a diamond in the pin and a watch worth £48,000. He drank £5,000 in bottles of wine and had an account at the Cipriani restaurant in Mayfair so dinner companions thought he was too important to show a credit card. He borrowed money against art he didn't own and embezzled sales proceeds, forged contracts and documents to cover his tracks. One of his friends, art writer and dealer Kenny Schachter, who also lost around £1.4million to Inigo, has described how the young impresario sold him an artwork for "about a million dollars" and then sold it to someone else for a higher sum Customers resold and "we would both pocket a few hundred thousand." He said, "His rationale was, 'These people are rich, so fuck them.'" The piece that brought down his house of cards existence was a 2012 painting of Pablo Picasso by Rudolf Stingel, a photorealist painter from northern Italy. In 2015, Inigo signed a deal with financial services firm Fine Art Partners (FAP) to sell it to them for £5.8million, as part of an agreement to sell the work together at Christie's for a reportedly guaranteed price of £7, £5 million to resell. Such guarantees are a marketing strategy used by major auction houses to lure valuable works of art away from competitors. Despite this, he sold the same work twice more - including to an investment firm, Guzzini Properties, for $6million (£4.9million). However, when the painting finally went up for auction in March 2019, it fetched just £5.3million for Inigo. When FAP contacted Christie's, the auction house told them that not only had they never signed a guarantee, but they had never even brought the painting up for auction by Inigo. FAP launched a lawsuit in Florida civil court in October 2019, while other clients launched their own lawsuits in the US and UK, where Inigo's assets were frozen by a judge. After appearing in court, he had his gallery closed, his phones disconnected, and was out disappeared. Philbrick was arrested in June 2020 after allegedly selling the same artworks to different investors, sometimes at inflated prices, to get money for another When asked by Jude Stein why he committed the crimes, Philbrick replied: "For that money, Your Honor." Documents said he had a habit of "drinking alcohol at lunchtime" and would continue "throughout the day." The court heard the serial scammer also took cocaine, ecstasy and ketamine because "that's how art deals are made." 53 billion. Prosecutors said he ran the scheme by misrepresenting ownership of certain artworks, sometimes selling more than 100% ownership to multiple individuals and organizations without their knowledge. US Attorney Damian Williams said in a press release that Philbrick's success as an art dealer came only after he secured and resold fractional shares in high quality contemporary art. Artwork used in the program included a 1982 painting by artist Jean-Michel Basquiat titled "Humidity", an untitled 2010 painting by artist Christopher Wool and an untitled 2012 painting by Artist Rudolf Stingel, depicting artist Pablo Picasso, authorities said. The scheme unraveled when dumped art buyers filed civil suits, a lender told him it was in default on a $14 million loan and he stopped responding to court cases, prosecutors said. "Unfortunately, his success was built on blatant lies, including covert ownership, forged documents and even a fabricated art collector," Williams said. “As the house of cards collapsed, Philbrick fled to a remote Pacific island, leaving many of his victims unassisted. Born in East London where his artistic parents lived in an abandoned warehouse, Inigo grew up in Manhattan and Connecticut and in 2005 followed in his father's footsteps by studying Art Curation at Goldsmiths University of London. Gallery founder Jay Jopling - later one of Inigo's victims - was impressed by the bright, cultured young man. In 2013, with Jopling's financial backing, Inigo opened his own gallery and consultancy in London's Mayfair, specializing in post-war and contemporary art. A second Inigo Philbrick gallery opened in Miami in 2018. While some clients were wealthy collectors looking to hang art on the walls of their homes, he increasingly focused on those known in the art world as "speculators" who buy artworks, or a percentage of them, as an investment. Inigo would then help those investors resell the artworks at a higher price and take a cut of the profits. As is customary in this industry, the artworks themselves stayed in secure storage facilities — meaning customers were completely in the dark when Inigo began selling works to multiple parties or selling stakes in paintings that investors never really got to face got. Until his criminal life was unraveled in 2019, Inigo was the toast of the art world, a charming bon vivant who cut a swath through London - and New York - society with Victoria on his arm. Inigo wore £5,000 suits, handmade shoes, a belt with a diamond in the pin and a £48,000 watch. He drank £5,000 bottles of wine and had an account at Mayfair restaurant Cipriani so dinner companions thought he was too important to have a credit card on hand. But throughout that time he has lied to clients about the ownership and prices of artworks, borrowed money for art he did not own and embezzled sales proceeds, and forged contracts and documents to try to cover his tracks. One of his friends, art writer and dealer Kenny Schachter, who also lost around £1.4million to Inigo, has described how the young impresario sold him an artwork for "around a million dollars" and then resold it to another client for a higher price Amount and 'we'd both pocket a few hundred thousand'. The piece that brought down his house of cards existence was a 2012 painting of Pablo Picasso by Rudolf Stingel, a photorealist painter from northern Italy. In 2015, Inigo signed a deal with financial services firm Fine Art Partners (FAP) to sell it to them for £5.8million, as part of an agreement to work the work together at Christie's for a reported guaranteed price of £7.5million to resell. Such guarantees are a marketing strategy used by major auction houses to lure valuable works of art away from competitors. Despite this, he sold the same work twice more - including to an investment firm, Guzzini Properties, for $6million (£4.9million). However, when the painting finally went up for auction in March 2019, it fetched just £5.3million for Inigo. When FAP contacted Christie's, the auction house informed them that not only had they never signed a guarantee, but the painting had not even been put up for auction by Inigo. FAP filed a lawsuit in Florida civil court in October 2019, while other clients filed their own lawsuits in the United States. However, by the time the dealer appeared in court, he had closed his gallery, unplugged his phones and disappeared. Philbrick was arrested in June 2020 after alleging he had sold the same artwork to different investors, sometimes at inflated prices, to get money for another. After giving birth last year, she told Hello!: "As hard as it was not having Inigo around, I've been fortunate to have great friends and a great family. He pleaded guilty in a New York district court in the south federal state last November. When asked by Jude Stein why he committed the crimes, Philbrick replied, "For the money, Your Honor." Documents said he had a habit of "drinking alcohol at lunchtime" and would continue "throughout the day." The court heard the serial scammer also took cocaine, ecstasy and ketamine because "that's how art deals are made." His supporters largely blame his downfall on the greed and excess of the unregulated global art market, which was worth around £53bn in 2021. According to his attorney, Jeffrey Lichtman, "Although his actions were criminal in nature, he is part of an industry that is sick from top to bottom, where unfortunately this type of behavior is commonplace." According to his attorney, Jeffrey Lichtman, "Although his actions were criminal in nature, he is part of an industry that is sick from top to bottom, where unfortunately this type of behavior is commonplace." "Although his actions were dishonest and criminal, he is part of an industry that is sick from top to bottom and where this type of behavior is unfortunately commonplace. The Connecticut-born con artist rose to fame in the industry after moving to the UK at the age of 23 to study at Goldsmiths University of London. Philbrick completed an internship at the White Cube Gallery in London before being appointed Director of Secondary Market Sales. Three years later he opened the Inigo Philbrick Gallery in Mayfair.

Read

Martin Dubravka gives Newcastle fans the news they want to hear

The Newcastle United stopper was one of the stars of a sensational season (Author: Gardener)

NewcastleMartin Dubravka exclusive: I can't wait to be a part of the next chapter in Newcastle United's exciting era The Newcastle United stopper was one of the star men of a sensational season. Thank you for signing up! I look forward to spending next season and beyond at Newcastle United. The Magpies have been linked with a move for Manchester United shot-stopper Dean Henderson, while Chelsea's Kepa Arrizabalaga has also been linked. However, many fans will be happy to hear that Dubravka is keen to spend some great years at United and after Eddie Howe publicly endorsed his number 1 last week it looks like the popular Slovakia goalkeeper is set to stay. READ MORE: Kieran Trippier opens up on ruthless mentality Newcastle need to emulate next season Asked if good times are ahead, Dubravka told Chronicle Live: "Yes, I think they will." Now we're looking forward to it next season and where we can finish, what we can achieve. But hopefully we can bring the good times back to Newcastle." Dubravka bid farewell to the season with a superb performance at Turf Moor as he made some sensational stops to keep Burnley at bay. After the game he admitted he was from I expected nothing less from a Clarets side who have given United a tough game throughout their six year stint in the top flight, that's what you expect from Burnley who try to beat us with long balls but I'm just so happy we won the game. I think we defended so well and we were so dangerous up front too. I was so glad we were safe with a couple of games to go." Finished 11th For Dubravka he finished the campaign with eight clean sheets in 26 games but as he pointed out this is a United side coming from the bottom of the table a leveled up to enjoy their best points tally since 2014. Dubravka added: "We managed to give something to the fans who were amazing and always have our back. The win at Burnley showed how we've grown as a team, it also shows our character. In the last few games, a lot of people might have been like, 'Oh they're on vacation,' but we proved we weren't.' 'I'm so happy to be able to give back.' talked about maybe going to Burnley as a decider. But it was good to win it and in the second half of the season we showed that we have good players and that we can get results when we need them. "We know where we've been and we're coming from a difficult position. So to end the season in 11th place is huge for us.” Dubravka is tied to Newcastle until 2025 and is based in the area. After speaking to the long-time goalkeeper, who has now made 133 appearances for United, he sounds like a man who had plenty of follow-up to do in his Toon history.

Read

Iwobi describes the Everton season as the "most mentally challenging" of his career

The 26-year-old Super Eagle has played a key role as he has appeared in their last 12 Premier League games and helped the Toffees maintain their status (Author: Gardener)

IwobiEverton winger Alex Iwobi has described the just-completed Premier League season as "the most mentally challenging of my career" after his side were in a relegation battle. The Nigeria international, 26, was in the thick of the action for the Toffees and their safety was confirmed with a game to go after they beat Crystal Palace 3-2 at Goodison Park last week. Everton went into their final game of the season against Arsenal after confirming their safety and despite the 5-1 defeat, Iwobi admitted he was proud of having helped the team maintain their top-flight status . "The most mentally challenging season of my career to date is over and I'm proud to have emerged from the other side stronger, sharper and hungrier than ever!" Iwobi wrote on his Twitter handle. Under Frank Lampard, Iwobi enjoyed enough playing time as he started and finished Everton's last 12 Premier League games. The most mentally challenging season of my career so far is over and I'm proud to have emerged from the other side stronger, sharper and hungrier than ever! The 12 games include 0-1 win over Newcastle United, 1-2 loss against West Ham United, 2-3 loss against Burnley, 1-0 win over Manchester United, 1-1 draw against Leicester City and the 2-0 defeat by Liverpool. The remainder included a 0-1 win over Chelsea, a 2-1 win over Leicester, a 0-0 draw against Everton, a 2-3 defeat against Brentford, a 3-2 win over Palace and most recently one Arsenal lost 5-1 to the Emirates. In total he has scored two goals and provided two assists in the Premier League this season. Iwobi last scored in the league in the 1-0 win against Newcastle United on March 17, when he scored in the 99th minute. In last season's Premier League, Iwobi made 30 appearances for Everton, scoring one goal and providing two assists. He joined Everton from Arsenal after signing a five-year contract on 8 August 2019 and 15 days after signing the contract he made his debut for the Toffees as a substitute for the last half hour in place of Gylfi Sigurdsson in a 2-0 defeat against Aston Villa.

Read

Arsenal opted to rebuild over UCL but expectations are high for next season

Arsenal needed to secure their financial future but it came at a heavy cost when their small, young squad missed out on Champions League football. (Author: Gardener)

UCLThe ESPN FC crew explain what went wrong for Arsenal against Newcastle, a defeat that dealt a serious blow to their Champions League ambitions. The ESPN FC crew explain what went wrong for Arsenal against Newcastle, a defeat that dealt a serious blow to their Champions League ambitions. When Arsenal decision-makers met in January to decide the fate of Pierre-Emerick Aubameyang, they made a decision far bigger than whether or not to sack their star striker. According to head coach Mikel Arteta, Aubameyang's attitude towards the Premier League club's London Colney training base had become a significant concern. Aubameyang (who retired from duties in Gabon last week) has always had a reputation for breaking the rules - showing up a few minutes late for a team briefing here, missing a team-wide pre-game COVID-19 test there – but the combination of his consistent goal return and infectious personality has always kept him on the right side of every coaching staff he's played under. Sources insist there was no major bust or a particularly egregious breach of the rules, but what triggered Aubameyang's departure to Barcelona was that Arteta felt his behavior threatened the cultural reset he was trying to bring about. The gamble was that by discarding a player with 92 goals in 163 games for the club, despite being in the midst of a scoring slump, Arsenal knew they were weakening a young group that wasn't flush with scoring chances. Sources have repeatedly told ESPN throughout the season that Arsenal expect to return to European football in 2021/22 and push for the Champions League in 2022/23. That's partly due to the scale of the rebuild, which sees a ruthless weeding out of a once-bloated roster, paying peripheral or troublesome players to leave while others are loaned out. But by the end of January, with Champions League football within reach, Aubameyang's situation posed a bigger, more existential question for Arsenal. What is more important: the longer-term overall reorganization or a short-term unexpected push for the Champions League qualification? Diego Costa and Antonio Conte fell out during the winter window of the 2016/17 season at Chelsea when the striker eyed a lucrative move to China, but the two parked their differences until the end of the season and became Premier League champions together. However, Arteta felt the work he had done at Arsenal to create a more professional environment would be marred if he continued to make an exception for Aubameyang, who had been the club's captain before his role was stripped in December , a consideration that outweighed the contribution he could make in the second half of the campaign. Alexandre Lacazette inadvertently summed up the Aubameyang dichotomy when asked about his former strike partner in April, more than two months after leaving for Barcelona. "I'm not friends with the Aubameyang you see on Instagram," he said. Arteta felt able to work with Pierre-Emerick, not Aubameyang. So when the opportunity arose to deliver him late in the window, Arsenal acted quickly, paying a large chunk of his big contract in the process. Instead, Arsenal pushed ahead with streamlining the squad to reflect the one-game-a-week program for the remainder of the season, leaving the Champions League bid to a small, inexperienced squad. On March 15, the Spurs were six points behind fourth-placed Arsenal after playing a game more but a six-game losing streak from the Gunners' last 12 games points for a squad running out of breath. Even with three games to go, Arsenal had an advantage but gave it up after weak defeats by Tottenham and Newcastle. On Sunday, north London rivals Tottenham lost to Norwich and were surpassed by two points on the final day of the Premier League season despite a 5-1 win over Everton. After finishing fifth and being relegated to the Europa League, Arteta, who signed a new contract a few weeks ago, continues to believe Arsenal are on the right track. Or is Arteta right when he suggested Arsenal have exceeded expectations this season, moving up three places in the table compared to last year, picking up eight points more while also reshaping the squad to take the foundation laid for future success? Arsenal's internal planning included qualifying for European competition this season and a push for the top four in 2022-23. That's a calculation that will be put to the test this summer as Liverpool and Manchester City stand out from the rest, Chelsea under new ownership, Manchester United under new management, Tottenham possess the lure of Champions League football and Newcastle the chasing pack Leading them will be new wealth backed by Saudi Arabia. But there was a pre-existing pressure that significantly influenced the Gunners' approach to the 2021-22 campaign: financial fair play (FFP). Arsenal director Josh Kroenke described Arsenal having a "Champions League payroll with a Europa League budget" in the summer of 2019. A year later the club's wage bill was around £230m and in June 2021 it was just £244.4m as the rationalization plan really got going under Arteta. A total of seven players - Henrikh Mkhitaryan, Mesut Özil, Sokratis Papastathopoulos, Shkodran Mustafi, Sead Kolasinac, Willian and Aubameyang - all received a sizeable payout for the exit. Sources have told ESPN that, in some cases, players have received up to 90% of their outstanding contract balance. Arsenal became the first English club to ask for a pay cut from their players in April 2020, as COVID-19 began to hit clubs financially and abandoning European football cut revenue even further for the first time in 25 years. All of these measures are meant to reflect Arsenal's more modest status after five years without any Champions League revenue. And sources have told ESPN that during this period the club had serious concerns about complying with FFP regulations. As elsewhere, the club's matchday revenue had fallen dramatically as games were played behind closed doors due to COVID. Decisions on contract extensions for certain players - including Eddie Nketiah, Lacazette and Mohamed Elneny - have been postponed until the end of the season, partly to allow the club to more accurately forecast revenue for 2022-23. The three-year cycle relevant to FFP spans the summer of 2019-20, when Arsenal spent a club-record £72m to sign Lille's Nicolas Pepe, in addition to William Saliba (£27m), Kieran Tierney (£25m) and David Luiz (£8m), although they got back more than £30m when Alex Iwobi left for Everton. The club was stretching back then; Sources have told ESPN that Arsenal have signed Pepe through Crystal Palace winger Wilfried Zaha, partly because Lille were willing to accept the fee in annual installments over five years, while Palace wanted £80million upfront to go to Zaha to permit. Partly in response to fan protests over Arsenal's involvement in the failed European Super League project, which sparked many long-standing resentments towards the club's American owners Kroenke Sports Enterprises, the Gunners committed a further £140m to six signings last summer - Aaron Ramsdale, Ben White, Nuno Tavares, Takehiro Tomiyasu, Albert Sambi Lokonga and Martin Odegaard - to help rebuild Arteta, but that was money that wasn't expected to be immediate given the young and largely unknown profile of these acquisitions returns. The combination of all these factors increased the pressure on Arteta to work with a smaller, younger group and add quality wherever possible. After finishing eighth in 2020-21, senior figures at the club just didn't realistically believe Champions League football would be within reach. The Gunners were interested in Fiorentina striker Dusan Vlahovic but senior figures at the club have privately downplayed reports that multiple offers have been made. Sources have told ESPN that the Gunners had queasy feelings about the deal early on, with the 21-year-old's representatives taking several days, or often longer, to respond to initial inquiries while Arsenal were investigating what a deal might look like could. Vlahovic eventually joined Juventus for £66.6million and the strong suspicion at Arsenal is that that was always the plan and other clubs were used as a smoke screen of sorts. Arsenal are inherently wary of the January window. Former manager Arsene Wenger once called for it to be scrapped entirely and, with every penny counting, they were reluctant to pursue an option - likely at an inflated fee - that didn't exactly fit Arteta's vision, especially given the broader FFP picture. However, it is an inescapable fact that Tottenham passed Arsenal with the help of two key January signings: Rodrigo Bentancur and Dejan Kulusevski from Juventus, the latter initially on loan. The three-year FFP cycle continues with a new season and Arsenal, who have Europa League football back on their agenda, will look to make a number of signings this summer. Sources have told ESPN that the club want two forwards, one of whom is versatile enough to play on the flank. Manchester City's Gabriel Jesus (who is valued at around £55m) and Juventus' Paulo Dybala (who is available on a free transfer this summer) are being considered. They also want a central midfielder - Leicester City's Youri Tielemans has his admirers at the club - as a full-back and possibly a centre-back if money allows. There will be multiple editions again as Arteta continues its overhaul while a behind-the-scenes "cultural review" takes place in conjunction with an outside consulting firm; Arsenal confirmed on Sunday that Head of High Performance Shad Forsythe and kit-man Paul Akers will be leaving. The Gunners may be in the process of filming an All or Nothing Amazon documentary, but they weren't willing to risk it all for Champions League football. Arsenal believed they would still be stronger next season and that stabilizing the club's financial position could lead to more sustainable success in the long term. Given the ever-increasing competitive nature of the Premier League, it feels like a big sporting gamble. So a season that's been described as 'all or nothing' ends with just 'something' instead - a Europa League spot. Arsenal's pragmatic view of their own progress that has come so close to the Champions League only raises the stakes for everyone at the club next season.

Read

Learning acceptance and your “why”

"Don't cry because it's over. Smile because it happened,” said Dr. Sweet. (Author: Gardener)

SweetDAVENPORT, Iowa (KWQC) – For this week's Motivational Monday with TV6's Life Coach Rumaisa Khawaja and Brittany Kyles, we talked about acceptance and what your why is. "If you want to quit, think about why you started," Unknown said. Smile because it happened,” said Dr. Sweet. Coach Ru says learning why you choose to pursue a goal or do anything can be used as a reminder to keep moving toward the finish line. She continues, This week's weather can also be a reminder to live in the moment and embrace every life experience with gratitude.

Read

The architect showcases a stunning mansion from start to finish

Local architect Xeki Hlongwane posted four progress pictures on his Twitter account, showing the start of the massive house construction through to the final product. (Author: Gardener)

Twitter* A veteran architect took to social media to share a recent project of a house he had designed and built with his team * Xeki Hlongwane posted progress pictures on his Twitter account showing the start of construction of the house through to the final product Comments left his good job inspires and influences many netizens to contact them for their future dream homes. Xeki Hlongwane (@XekiHlongwane) took to Twitter to share the images, which show the start-up phase through to the final product, which features a stunning modern-style mansion. Mzansi netizens couldn't help but marvel at the home as they flocked to the Twitter post to share their positive comments and hopes that one day Xeki will design their dream homes too. In another story, Briefly News reported that there's no place like home, and social media user @RealMrumaDrive reminded us when he took to Twitter to share pictures of gorgeous homes being built in Venda, Limpopo. were built.

Read

Samantha says 100kg weight "I see you" in Monday motivational workout video. Consider

Samantha motivated fans and followers by sharing her intense workout video. The actress was spotted lifting weights and working out in the rain. (Author: Gardener)

SamanthaSamantha never fails to inspire her fans to hit the gym with her workout videos. On May 22, the actress provided all the motivation we need by sharing an intense video of her lifting heavy weights and working out in the rain. She is currently in Srinagar, Jammu and Kashmir shooting Khushi. Samantha is one of the fittest celebrities in the business. All thanks to her determination and rigorous training regimen. On May 22, the actress shared a glimpse of her continued intense training session. She shared two videos on Instagram Stories. The first shows her lifting 90kg and the second shows her exercising in the rain. 90 today, 10 more to come (sic),” Samantha captioned the first video (sic). On May 16th, Samantha shared the Khushi first look poster, along with the release date. The film will hit theaters on December 23 in Tamil, Telugu, Malayalam and Kannada. Filming is currently taking place in Kashmir. The film stars Vijay Deverakonda and Samantha. Jayaram, Sachin Khedekar, Murali Sharma Lakshmi, Ali, Rohini, Vennela Kishore, Rahul Ramakrishna and Srikanth Iyengar Cinematographer G Murali, composer Hesham Abdul Wahab and editor Prawin Pudi are part of the technical crew.

Read